MARK RUCKER’S CURTAIN CALL
MARK RUCKER’S CURTAIN CALL A group portrait of the brilliant theater director who recast bow-taking by CRISTOFER GROSS PROLOGUE
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Michael Edwards
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MARK RUCKER’S CURTAIN CALL I | II | III | IV ‘It means so much to me that this is my first show as Associate Artistic Director. One of the first things Carey asked me to do when I came here was to build bridges in the community, and I couldn’t have imagined anything like
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MARK RUCKER’S CURTAIN CALL | MISCELLANY
MARK RUCKER’S CURTAIN CALL | MISCELLANY I | II | III | IV ‘You found yourself utterly disarmed – open, unfettered, and believing you could: you can go there, you can be that, you can wear that (or not wear it), you can sing that, you can dance that. And not only can you dance
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MARK RUCKER’S CURTAIN CALL I | II | III | IV ‘It felt like magic. It really felt like all these great things coming together.’ –Cindy Katz, Kate, The Taming of the Shrew, South Coast Repertory (1996) Act II, Sc 2: All’s Well in the West ark Rucker hated being told to do Shakespeare the
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MARK RUCKER’S CURTAIN CALL I | II | III | IV ‘Shakespeare contains us; he always gets there before us, and always waits for us, somewhere up ahead.’ – Harold BloomShakespeare: The Invention of the Human ACT I, SC 3: North by Northeast Rising late on a Monday in the middle of that month, Rucker
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