Building a reputation n October 1986, just a year after he briefly quit acting, Soul Man had provided the biggest boost since Screwball. That was followed by roles of increasing size in fairly big movies with big stars: The Couch Trip with Dan Aykroyd, Walter Matthau and Charles Grodin (1988) and The Experts with John […]
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BUILDING CHARACTER The once and future thinking of Arye Gross he spark that gives live theater life emanates within the mysterious gap between an actor and a character. For the better part of four decades, Arye Gross has worked this seam of consciousness, drawing on personal experience, copious research and keen observation to animate
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Theatertimes Reviews: 2016 The Absolute Brightness of Leonard Pelkey / Kirk Douglas Theatre (Guest Production) All The Way / South Coast Repertory Amadeus / South Coast Repertory Arcadia / A Noise Within Barcelona / Geffen Playhouse An early favorite in the 2016 theater year was Barcelona by Bess Wohl, above with Betty Gilpin and Carlos
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2011 REVIEWS Reviews are being imported from previous Theatertimes design. If the link at right is broken, and for any other information, send an email to the editor. LINKS TO 2011 REVIEWS Bakersfield Mist / Fountain Theatre Barrie: Back to Back / Pacific Resident Theatre Bash: Latterday Plays / Coeurage Theatre Company The Break of
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2009 IN THE REARVIEW Julie Myatt’s ‘Happy’ Premiere and a ‘Noises Off’-Off are highlights My year’s attendance in 2009, admittedly selective and not as frequent as I would wish, managed to put me in front of two productions of Michael Frayns’s Noises Off, one of the rare occasions where I had seen the play in
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2008 IN THE REARVIEW Unforgettable musicals, comedies, And a visit to ‘This Beautiful City’ The number of quality productions attended by Theatertimes in 2008 was higher than usual, which made the ‘Rearview’ recognition process both easier and more enjoyable. It was a big year for attending musicals, and they were largely enjoyed. Not surprisingly, the
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2007 IN THE REARVIEW A ‘Quality’ premiere and revival of ‘Dear’ Are among the year’s stand-outs The number of quality productions attended by Theatertimes in 2007 was higher than usual, which made the ‘Rearview’ recognition process both easier and more enjoyable. These personal citations of appreciation are intended to be made each January for the
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Theater Amy Brenneman ‘Staying on Top’ • Amy Brenneman adds both luster and depth to the female characters she portrays, whether on stage, television, or in film. As she has gained acclaim and influence through a succession of hit TV shows, from “NYPD Blue,” to “Judging Amy,” and “Private Practice” she has been able to
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NOVEMBER 2006 Click title to jump to review THE ’60S by Trish Soodik | Pacific Resident Theatre AUTOBAHN by Neil LaBute | The Open Fist NIGHTINGALE by Lynn Redgrave | Mark Taper Forum PHAEDRA by Jean Racine | A Noise Within RIDICULOUS FRAUD by Beth Henley | South Coast Repertory O Boom, Baby Boom
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OCTOBER 2006 Click title to jump to review BACH AT LIEPZIG by Itamar Moses | South Coast Repertory FENCES by August Wilson | Pasadena Playhouse NOTHING SACRED by George F. Walker | South Coast Repertory OTHELLO by William Shakespeare | The Old Globe SONIA FLEW by Melinda Lopez | Mark Taper Forum
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